Return to Gwyneth Walker Music Catalog
Download a PDF file of the vocal/choral score of this composition (SATB version). This score may be printed and duplicated for the purposes of performances. However, please send a message to performances@gwynethwalker.com, notifying us of the date/location of the performance.
Download a PDF file of the vocal/choral score of this composition (TTBB version). This score may be printed and duplicated for the purposes of performances. However, please send a message to performances@gwynethwalker.com, notifying us of the date/location of the performance.
Download a PDF file of the vocal/choral score of this composition (SSAA version). This score may be printed and duplicated for the purposes of performances. However, please send a message to performances@gwynethwalker.com, notifying us of the date/location of the performance.
Download a PDF file of the tuba part of this composition.
Download an a MP3 file of the first movement of this work (SATB version) performed by State University of West Georgia Chamber Singers, Thomas Garcia, tuba
Download an a MP3 file of the second movement of this work.
Download an a MP3 file of the third movement of this work.
Decatur, IL is the home of "Opus 24" Chorus as well as tubist, Mark Nelson. Therefore, a collaborative work to draw upon the combined talents of these artists seemed in order! And thus, Sweet Molly and Friends -- Three Songs for Chorus and Tuba was created for a May 1998 premiere in Decatur.
When forming a multi-movement set such as these songs, it is often helpful to have a common theme. In this case, a woman lead-character is the focus of each song, and is portrayed by the Tuba.
"There She Is!" is based on the 1920s song "Ain't She Sweet!" "She" jauntily walks down the street (Tuba plays "walking bass" patterns). "Her" lips are sweet (Tuba has lip-smacks). And she is perfect (as is the skilled Tubist!).
The second song, "Sweet Molly," originates in the Irish folksong "Molly Malone." Her wheelbarrow, her cries of "Cockles and Mussels", and even her postmortem appearance as a ghost are dramatized by the Tubist.
"One of Those!" is based upon the 1920s song "Five Foot Two." Special delight is taken here in mixing 1920s and 1990s language and sentiments.
Notes by the composer